For our
documentary project, our idea comes extremely late whilst focusing fully on our
vigilante subject but due to lack of contacts and primaries we changed it to
following around circus folk in the Berkshire region.
The research I undertook before arriving at the destinations, meeting the primary and how the business operates, I went on www.carterssteamfair.co.uk and nosed around to see what the business was like and what they have to offer to the audience. They like to think of themselves as not a modern type of steam fair but keeping their unique look old. Even though we researched further into their business we learnt a huge amount of new interesting accolades they posses for example the use of sign writing, the time it takes to calve their rides/products and the use of gold entwined onto their products. Therefore, I watched the recent documentary ‘Circo’ about a Mexican family struggling to keep their personal business alive around the country of Mexico and before attending Carter’s and tackling our Showmen project to get an insight on how these types of docs are structured with camera work and techniques.
For our trailer
we got invited to where they situate in a town called Maidenhead, before we
could capture any photos and voice interviews which was my job capturing the
voice with the Marantz, we made him feel comfortable and his co-workers around
him giving the chance for him to open up for us. The problem was keeping the Marantz
level at 12dbz for his voice as it interchanged from loud to quiet all of the
sudden that proved to be an uphill battle for me. Also making sure the
background noise didn’t intervene where his family was conversing in the same
room. We definitely followed the Nick Broomfield effect exchanging comments as
if it were natural but not showing ourselves in the captured images, we
immediately complimented him on his home and asked how are you and your family by
being very polite.
Three members including
myself attended the trip to Carter’s Steam Fair headquarters captured the
images for the photo essay; we followed the hyper and Meta aesthetics of a
photojournalism image by exaggerating the emotions on the primary & co. We
also used the technique breaking the edge to provide the audience with an imagination;
this will work well for the trailer as it provides a sense of naturalism plus
making the audience see beyond the frame. There were a few I personally
captured describing the isolation of the business Carter’s Steam Fair and how
it is slowly disintegrating with the use of trucks supplying a narrow alley
with the company name following at the end.
As much as my
role was Sound director, I also took care of the whole design for the website
and how it was structured. However, there were many mistakes along the way
especially involving the group workbook; completely different design to what we
were meant to do instead of using the further research on every individual page
but supplying it for everyone in the workbook yet we took charge of individual
weeks leading up from week one to week twelve which proved a success working as
a team. Another problem was the overall banner and sub titles on each page, I
created them as a draft but the whole group disagreed to how they generally
looked. I took this criticism as good feedback so I made a few designs linked
with our production company and made them choose their favorite. I also
attempted thumbnail images on the index page, which turned out to be very cramped
and a waste of time but the majority of the group agreed to. I think I kept the
group in the loop to what I was editing on the website incase they get confused
about anything that had changed. At the start of the project there were a few
communication problems to do with the content on the website for example, the
use of text, the structure and how everything were laid out. Every member had a
different font for their text, the sizes were all different and there was
nothing to separate a piece of text from another ‘widget’ on yola, which I had
to notify the group at group meetings about the consistency.
The way we
improved the trailer was continuous until we were completely happy with it,
there were some hurdles we had to face and achieve with the images being the
incorrect setting plus the gamut warning on the photos. Also exporting it
forgetting to move the images to make it more a trailer concept. As for the two
supporting the products, the poster and the flyer (I created) had a few
problems to begin with, the convergence between both products were very
different and held no similar theme or color coordination. Me and the producer
of the poster sat down to discuss the elements involved with our promotions; the
points included were the color, information and a specific point we’re trying
to portray. Although the overall message of the flyer was to explain ‘Carter’s
Steam Fair’ is heading to u-doc festival in Winchester hence the signs but
ironic as their travellers.
My role in the
10-minute presentation was specifically around the promotional side of our
documentary and how it will be promoted using different techniques to engage
the audience. Firstly two members of our group including me created bags of
popcorn with our poster shrunk down to size to be handed out during the
presentation. Therefore it was for promoting our documentary idea, giving a
little sneak peak to what the rest of the audience are expecting to be
receiving and witnessing. I also spoke about the documentary ‘Circo’ which I
explained earlier and how it was influence for the style of our documentary.
In conclusion, I
believe I handled the technical side of the website and promotions very well
although with a few speed bumps along the way which needed context to be
improved. Therefore with the use of sound for our documentary trailer proved to
work strongly being very clear and understanding but most importantly the
background soundtrack with the piano stepping up and up in relation to the
images and text popping up proved to be an engaging attribute. As for the
groups relationship, even though there were tough times getting hold of
specific members, I believe the producer handled it brilliantly, keeping him
fully interactive via e-mail. Not just the producer but also the group constantly
checking up on the work load being produced by each member.
By Joe Taphouse.